National Trust Papers II wallpaper collection Little Greene

National Trust Papers II wallpaper by Little Greene

The National Trust Papers II wallpaper by Little Greene comprises seven patterns that are based on historical designs. Blossom, leaves, flowering trees and snails form the subjects. Three of them show how diverse the visual language is: painted and naturalistic, flat and stylised, or drawn with clear contour lines. What these three share is a light motif on a coloured ground that covers the entire wall, without beginning or end. The ground colour sets the tone of the room. Mint green makes a space light and fresh, whereas dark brown draws the walls towards you. So within one collection you will find the wall that suits your room.

Patterns in the National Trust Papers II wallpaper collection

Massingberd Blossom wallpaper shows hanging branches with white and light pink blossom on mint green. In between sit small birds with a pink breast and dark head, painted as if you are looking into an orchard. Burges Snail wallpaper is flat and stylised: green leaf rosettes with white daisies and beige snails stand in staggered rows on grey-blue. The Beech Nut wallpaper places large beige beech leaves with reddish-brown veins and small nuts on a dark brown ground, dense and partly overlapping. In the Mandalay wallpaper, flowering trees grow with birds among the branches, a tree of life as a wall-filling motif. Tulip wallpaper works with large foliage in a striking damask pattern. Moy wallpaper keeps the pattern small, while Millefleur wallpaper scatters small flowers over a ground that looks like a woven tapestry.

National Trust Papers II by Little Greene in your interior

The lifestyle images show each pattern in a different room. Massingberd Blossom fills a living room wall behind a white round armchair. Burges Snail appears in a bathroom next to a dark freestanding bath and an oval wicker mirror. Beech Nut brings warmth to a bedroom corner, together with kilim cushions and raw wood. With this Little Greene wallpaper you choose the scale according to viewing distance: large leaves work on a wall you see from a distance, small motifs come into their own up close.